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Color Grading for Filmmakers – Filippo Cinotti (Plasma)

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Scarica il corso “Color Grading for Filmmakers – Filippo Cinotti (Plasma)”

Masterclass per aspiranti Colorist e Filmmakers che vogliono avere un metodo pratico nel creare immagini dal look cinematografico.

Entriamo nel cuore e nell’essenza della Color Grading, il processo di finalizzazione e perfezionamento di una produzione.

Un corso creato per Filmmakers innamorati della Color, da un Colorist (che era un Filmmaker come te).

  • Passare definitivamente dal tuo software preferito a Davinci Resolve in modo definito
  • Creare la tua Grading Room
  • Conoscere e saper usare i Tool Professionali
  • Creare Look Cinematografici

Filippo Cinotti è un DP e Colorist che opera in tutto il mondo nel settore dei commercial e del cinema.

Ha iniziato la sua carriera come un Filmmaker freelance nel 2010. Dopo 3 anni ha iniziato a lavorare come Freeflysystem MOVI Operator per qualche anno, decidendo nel 2016 quello che stava facendo unicamente nella creazione dell’estetica dell’immagine.

Nel 2019 crea con le conoscenze acquisite le sue prima Masterclass di Color Grading, ad oggi è Co-Fondatore di Plasma e creatore di questo nuovo corso.

📁 SFOGLIA CONTENUTO CORSO
📁 1. Introduzione al percorso130,78MB
🎬 1. 01 Introduction to the Colorist World.mp416,77MB
🎬 2. 02 All the path in order to become a Colorist.mp459,95MB
🎬 3. 03 Sources for study.mp432,51MB
🎬 4. 04 From Davinci Final Cut to Davinci Resolve.mp421,55MB
📁 2. Percorso su Davinci Resolve782,04MB
📄 1. Download Assets.pdf117,83KB
🎬 2. 05 Istruzioni Corso.mp43,67MB
🎬 3. 06 Introduction to Resolve.mp49,54MB
🎬 4. 07 Life with Databases.mp49,97MB
🎬 5. 08 Properly setting up a project.mp422,31MB
🎬 6. 09 Conforming Methods.mp442,79MB
🎬 7. 10 Proxy & Optimized Media Workflows.mp430,87MB
🎬 8. 11 Color Page Overview.mp444,23MB
🎬 9. 12 Difference Between Color Correction & Color Grading.mp421,81MB
🎬 10. 13 Understanding Nodes.mp452,70MB
🎬 11. 14 Understanding the Balance.mp429,56MB
🎬 12. 15 Reading and Understanding Scopes.mp454,36MB
🎬 13. 16 Reading Skintones.mp425,46MB
🎬 14. 17 Primary Corrections & Secondary Corrections.mp411,86MB
🎬 15. 18 Primary Wheels LOG Wheels HDR Wheels and Curves.mp448,29MB
🎬 16. 19 Deep control of Contrast.mp418,04MB
🎬 17. 20 Secondaries with Warper & Curves.mp430,70MB
🎬 18. 21 Windows and Qualification.mp425,06MB
🎬 19. 22 Key Framing Tracking Animating Grades.mp447,92MB
🎬 20. 23 Matching Different Cameras.mp418,73MB
🎬 21. 24 Working with Groups & Local Remote Grades.mp419,85MB
🎬 22. 25 Creating Versions.mp426,45MB
🎬 23. 26 Everything about LUTs and why theyu2019re actually great.mp439,14MB
📄 24. Download PLASMA LUTs.pdf117,69KB
🎬 25. 27 Using OFXs.mp422,72MB
🎬 26. 28 Artificial Lights.mp435,43MB
🎬 27. 29 Digital Retouching.mp428,66MB
🎬 28. 30 Best settings for Web Exports.mp422,50MB
🎬 29. 31 Best settings for Broadcast Exports.mp413,22MB
🎬 30. 32 Previewing Exports.mp425,97MB
📁 3. Prima del Colore254,42MB
🎬 1. 33 Basics of Color Theory.mp428,59MB
🎬 2. 34 Emotions Through Colors.mp441,64MB
🎬 3. 35 Emotions Between Lights and Colors.mp428,66MB
🎬 4. 36 Colors Property & Inherent Luminosity.mp431,00MB
🎬 5. 37 How our eyes see.mp49,64MB
🎬 6. 38 Color Harmony.mp443,34MB
🎬 7. 39 Luminosity Contrast.mp441,01MB
🎬 8. 40 Simultaneous Contrast.mp47,77MB
🎬 9. 41 Perceptual Constancy.mp422,78MB
📁 4. Realizzazione di uno studio professionale638,46MB
📄 1. Shopping List.pdf122,37KB
🎬 2. 42 The Grading Suite.mp447,27MB
🎬 3. 43 Proper Illumination.mp482,02MB
🎬 4. 44 About Monitors.mp4.mp4171,05MB
🎬 5. 45 Tools for grading.mp4.mp4141,94MB
🎬 6. 46 Clients Abitudes Dispositions.mp480,71MB
🎬 7. 47 About Walls.mp454,31MB
🎬 8. 48 Working routines in a studio that feels like Home.mp461,04MB
📁 5. Tool e setting professionali225,54MB
📄 1. Download Assets.pdf117,93KB
🎬 2. 49 Understanding Color Spaces.mp414,61MB
🎬 3. 50 Working Display VS Scene Referred.mp430,25MB
🎬 4. 51 Correct understanding of the CST.mp418,98MB
🎬 5. 52 Other types of CSTs.mp420,19MB
🎬 6. 53 DCTLs Usage.mp418,75MB
📄 7. DCTL Download.pdf117,58KB
🎬 8. 54 Understanding Chroma Subsampling.mp418,66MB
🎬 9. 55 Extraordinary OFXs you Need (3D RELIGHT DEPTH MAP LOOK DESIGNER).mp4.mp476,13MB
🎬 10. 56 Steal my Node Trees.mp427,61MB
📄 11. Steal my Node Trees.pdf116,57KB
📁 6. Flussi di lavoro e elaborazione del Look866,87MB
🎬 1. 57 Intro.mp45,41MB
📄 2. Download Assets.pdf120,14KB
🎬 3. 58 Memory Colors.mp4.mp4323,32MB
🎬 4. 59 flussoA.mp4.mp4130,99MB
🎬 5. 60 flussoB.mp4.mp4109,39MB
🎬 6. 61 flussoC.mp4.mp466,30MB
🎬 7. 62 flussoD.mp4.mp499,56MB
🎬 8. 63 flussoE.mp4.mp497,48MB
🎬 9. Certificati con Plasma.mp415,54MB
📄 10. Certificati da qui.pdf114,66KB
🎬 11. And so… is this the end?.mp418,65MB
📁 7. Davinci Resolve 19 – UPDATE81,87MB
🎬 1. 64 Davinci Resolve 19 Aggiornamento.mp481,87MB
📁 8. Il mondo dell'High Dynamic Range1,006,16MB
🎬 1. 65 What is HDR.mp4135,31MB
🎬 2. 66 What Defines a HDR Display.mp428,44MB
🎬 3. 67 When and Image Truly is HDR.mp443,52MB
🎬 4. 68 Monitors for HDR.mp447,97MB
🎬 5. 69 Monitoring HDR.mp476,29MB
🎬 6. 70 Worchain for HDR.mp442,22MB
🎬 7. 71 Live example of the HDR Pipeline.mp4124,48MB
🎬 8. 72 Settings for your reference monitor.mp446,50MB
🎬 9. 73 PQ&HLG.mp443,92MB
🎬 10. 74 Clarifications on bit depth.mp438,10MB
🎬 11. 75 About Brightness.mp475,94MB
🎬 12. 76 Ambient Illumation.mp476,25MB
🎬 13. 77 Main Misconception.mp458,22MB
🎬 14. 78 Display HDR in an SDR display.mp412,32MB
🎬 15. 79 Cameras and Standards for HDR.mp4103,90MB
🎬 16. 80 Set your monitor in HDR.mp426,94MB
🎬 17. 81 Set your workflow in HDR.mp419,78MB
🎬 18. 82 Delivering HDR.mp46,06MB
📁 9. Creare un DCP645,92MB
🎬 1. 83 Getting started with DCP Theory .mp4252,85MB
📄 1. 83 Getting started with DCP Theory .pdf112,66KB
🎬 2. 84 Getting started with DCP Practice.mp489,36MB
🎬 3. 85 Color Grading Overview Prada Mode London.mp453,04MB
🎬 4. 86 Color Grading Overview Brembo.mp469,07MB
🎬 5. 87 Color Grading Overview Gatecloser.mp466,98MB
🎬 6. 88 Color Grading Overview Red.mp460,01MB
🎬 7. 89 Color Grading Overview Green.mp454,50MB